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Climax Control Archives / ENDEAVOR LXIX
« on: August 13, 2025, 01:55:49 PM »
Blog: Almighty Fire
semana del 13 al 20 de agosto de 2025
There’s a quiet satisfaction that comes with knowing the work speaks for itself. I don’t need confetti, I don’t need hyperbole, and I certainly don’t need anyone telling me that I’ve “shocked the world.” That kind of energy is for people who aren’t used to winning. For people who rely on moments, because moments are all they have.
For me, winning isn’t a surprise. Es la expectativa. It’s the expectation.
Climax Control 431 was not an accident. It wasn't fortune smiling on me. It wasn’t “Lilith Locke slipping on a banana peel” or “Mercedes Vargas stealing one.” No. Fue inevitable.
Lilith stepped into that match believing she’d set the pace. She thought holding the Bombshell Internet Championship meant she could dictate how that match unfolded. Se equivocó. She miscalculated. Championship matches aren’t about the belt you hold in the beginning — they’re about the decisions you make under pressure. And when the moment came, the gap between us was clear.
It showed in my composure when she threw her best shots. It showed in her doubt after every kick-out, wondering why this wasn’t going according to her plan. And it showed when I closed that match exactamente when I intended — perfectly on my terms.
The Bombshell Internet Championship is back where it belongs. No necesito gritarlo. El título tiene otro peso conmigo. I don’t need to scream about it. I don’t need to campaign for recognition. I just know that there’s a different weight to the title when it’s in my possession. It carries an authority it didn’t have before, because I’ve proven what happens when someone with my composure and my consistency gets their hands on it.
Lilith — if you’re listening — I trust you’ve already started replaying every mistake in your head. It would be easy to blame it on conditioning, or on ring rust, or on the idea that you underestimated me. Pero el problema es tu enfoque. But see, that’s the problem. I don’t underestimate people. I study them. I take my time. I read every flourish in their offense, I notice every subtle pause in their footwork, I detect every flicker of hesitation behind their eyes. By the time I step into the ring, mis salidas, mis aperturas, y mi final. I already know my exits, my openings, and my finish.
That isn’t bravado — es la verdad. At Climax Control, that truth ended your reign, that truth made all the difference.
Now, that chapter’s closed. The next one begins at Climax Control 433. And that brings me to Harper Mason, your new Bombshell Roulette Champion.
Harper, you’ve been making the rounds lately, haven’t you? Your name’s been bubbling up on match cards more frequently, and you’ve been getting buzz from people who like to attach themselves to “potential.” I understand why. You’ve got the look. You’re athletic. You’ve had a few nice outings where people could point at you and say, “There’s something there.” It’s the kind of chatter that turns into opportunity in a place like SCW.
But here’s the part they usually leave out when they’re hyping someone up: “potential” is the most fragile currency in this business. It loses value every time you walk into a situation where you’re expected to win and you don’t. It erodes when the right lights shine on you and you flinch instead of step forward.
This weekend, Harper, you’re not getting a proving ground — you’re stepping into an exam you’re not prepared to pass. And I’m not saying that as a threat. I’m saying it like someone stating the weather. The outcome here doesn’t need prediction; it’s forecasted.
I’ve been watching you. I notice that when things are going your way, you find a rhythm. But when you get disrupted — when someone doesn’t respond to your pace, when they force you to adjust — that’s where it starts to come apart. You become reactive instead of proactive. Matches aren’t dictated by whoever gets the first offense in, Harper — they’re dictated by whoever controls the transitions. And right now, that’s not you.
When people look at you and see “promise,” I see unfinished edges.
You’ve had opponents who gave you space. I don’t give space. You’ve had opponents who tried to match your style. I don’t match styles — I dismantle them. You’ve been praised for your fire, and that’s fine. Fire’s impressive for about five minutes, until someone like me smothers it with precision and leaves you grasping for oxygen.
People like to believe that wrestling comes down to passion, or hunger, or desire. It looks better in headlines. The truth is, it comes down to how you handle inevitability. You can be as hungry as you want. Es saber qué hacer cuando tu mejor golpe no sirve. But what do you do when you find yourself in a position where your best shot didn’t work and you don’t have a second one? Ese es mi territorio. That’s where I live. That’s where I win.
I’m not dismissing you entirely, Harper. Everyone in this division is capable of a good night. On a good night, someone pulls off the upset. Someone exceeds expectations. You did that at Summer XXXTreme by defeating Victoria Lyons and ending the longest Bombshell Roulette Championship reign in history. It took you three tries to beat her, but credit where it's due.
You beat Victoria. That’s fine — but you’re not catching me on a night where my eyes are off the prize, mamita. You’re not walking into our match to find a distracted champion still basking in the glow of victory over Lilith Locke. No me quedo mirando atrás. I don’t bask. I move forward.
And right now, moving forward means you’re about to be the first statement of this new reign. See, reclaiming the Bombshell Internet Championship wasn’t about nostalgia for me. It wasn’t about “getting back” to something. It was about reaffirming that I can — and will — operate at the top of every division I set foot in. This reign is going to be defined by selective precision. Lo que significa que si estás en mi esquina opuesta… ya estás en terreno peligroso. Which means that if you’re standing across from me, you’re already in dangerous territory.
I know how the conversations go in the back. The polite compliments, the “good lucks,” the people telling you that this is “your moment.” They’ll pump you up before this weekend. They’ll tell you to go “shock the world.” But just remember something: nobody who’s telling you that has to actually stand in the ring against me.
I’ve seen wrestlers crumble because they spent too much time convincing themselves they were ready for something they weren’t. They confuse excitement with competence. You have to understand that when I look across the ring at you, I’m not hunting for inspiration. Estoy calculando. I’m measuring. I’m watching every small adjustment you make and deciding what it tells me about the next minute of this match.
Everyone has patterns, Harper. Yours? They’re glaring.
You push the pace early to see if you can get ahead before someone finds their bearings. You rely on momentum — not strategy — to carry you through. You thrive in exchanges, but you’re not built to break stalemates. And when your rhythm gets disrupted, you try to reset by creating distance. Which means? If I control the space, I control you.
That’s not bravado. That’s game theory.
By the time Climax Control 433 is over, people aren’t going to be talking about a “breakthrough” for Harper Mason. They’ll talk about a clean, decisive victory. How I was two steps ahead before you even tried to adjust. They’ll remember la claridad de saber exactamente dónde estás en esta división.
That’s the gift I give you — clarity. Not hype. Not bias. Reality.
And maybe that’s the best thing I can give you, Harper — clarity. The kind that comes from standing across from someone who isn’t there to give you space to breathe, who isn’t there to help you look good, and who isn’t there for your moment. I’m there to win. I’m there to make sure my name stays anchored to this championship in a way that isn’t up for debate.
You’ll walk away from Climax Control 433 knowing the difference between being good and being good enough.
Lilith learned it the hard way. You’re next.
Prepare for the worst. Hope for the best. And may the odds be ever in your favor.
EXT. SUBURBAN SIDEWALK – LATE AFTERNOON
A warm afternoon. Sunlight filters through leafy trees. The air hums faintly with cicadas. A sprinkler ticks in the distance. A small, colorful lemonade stand sits just off the curb in front of a tidy suburban house. The stand is manned by K, a sharp-eyed 11-year-old with a ball cap turned backwards. He leans on the table, one sneaker dragging patterns into the dust. A tip jar holds some coins and a couple of crumpled bills. He’s sucking on a red Freezie like it’s the most casual day in the world.
Down the cracked sidewalk, Malcolm and Carmen move with weary authority, uniforms crisp but faces telling of long days.
MALCOLM
Speaking of… remind me how your cousin here schooled Lilith Locke in Spain?
MERCEDES
(grinning)
Oh, you mean when I won back the Bombshell Internet Championship? In front of a sold‑out Ibiza crowd?
CARMEN
Here we go…
MALCOLM
What? Big win, high stakes, and your cousin actually brought it home.
CARMEN
She doesn’t bring it up much… except every day.
MERCEDES
(laughing)
What can I say? Some wins are worth the rerun.
All three hold paper cups of lemonade — unusually opaque, a bit too thick. As they close in on the stand, Mercedes eyes her drink with suspicion, swirling it slowly before taking a cautious sip.
MALCOLM
(takes a sip, grimaces)
Damn. Didn’t figure lemonade could double as molasses.
K smirks, leaning casually against the counter of the stand.
MERCEDES
Tastes like they melted a lemon and a grapefruit together. You sure this is lemonade?
K
That’s 'cause it’s premium. Less water, more lemon.
MALCOLM
More pulp too, apparently.
[Malcolm squints next door, where a worn-down two-story sits dark behind drawn curtains.]
MALCOLM
You know the family next door?
K
Sure. The dad’s a drug dealer.
[Malcolm freezes mid-sip, the words hitting harder than the lemonade’s texture. He tries to keep his reaction subtle but fails slightly.]
MALCOLM
Uh-huh…
K
My mom gets really, really weird when she’s around chardonnay.
[Malcolm raises an eyebrow at the unrelated comment but presses on.]
MALCOLM
Have you seen him around today?
K
No. He’s probably at the thing.
[Carmen, curious, steps closer to the stand.]
CARMEN
What thing?
K
Buy some more lemonade, and I’ll tell you.
[Carmen crosses her arms slowly, a mock dangerous smile creeping in.]
CARMEN
Are you trying to extort a law enforcement officer?
K
(shrugging)
No. It’s basic supply and demand. I have something you need. I can set the price.
[Malcolm chuckles to himself, amused.]
MALCOLM
Kid's getting a quality education.
MERCEDES
(smirking at Malcolm)
Better than most classes, I bet.
CARMEN
Too bad he won’t get the same one when he’s in juvenile detention.
[She leans on the table, scanning the operation like she’s doing a food inspection.]
CARMEN
You got a permit for this lemonade stand?
[K hesitates — eyes dropping like a permit might appear, then cutting to the tip jar, calculating if it’s enough for a bribe.]
K
Do you take lemonade as a bribe?
[Malcolm glances at Carmen like, “Is this conversation doing cartwheels?” Mercedes laughs quietly, shaking her head.]
MERCEDES
Depends. What’s the sugar to water ratio?
[CAMERA PULLS BACK — The four figures are locked in a silent standoff: the kid defensive but amused, the officers balanced between neighborhood goodwill and gentle authority. Mercedes tosses the rest of her lemonade into a nearby bush, still smirking.
The sound of a distant lawn mower drones in the background. A neighbor walks past with a dog, eyeing the stand suspiciously. K nudges the tip jar an inch closer to the edge — just in case.]
[END]
Present Day ♦ M Y K O N O S, G R E E C E
[REC•]
[The Cycladic sun blazes above, wind stirring the wild grasses of Fokos Beach. Mercedes stands alone on the sand, a sweep of turquoise water and unspoiled cliffs behind her. There is no noise, no crowd — just the serene power of nature, and her.]
"This is Fokos. Not the scene, not the hype. Just the truth. Mykonos isn’t only parties, bars, and noise. It’s places like this — raw, untouched, the kind of beauty that doesn’t need approval or attention. It stands the test of time, quietly owning every inch."
[Mercedes stands poised, Bombshell Internet Championship slung over her shoulder, its shine muted against the wild backdrop.]
"People talk about glamour, about what glitters. They chase what’s loud. But out here? You learn fast that noise fades — substance doesn’t. That’s been my story since day one."
[Mercedes’ lips curve slightly, with the kind of smile that says she’s already seen the ending of this story.]
"So here we are. Mykonos. Climax Control 433. Champion versus champion — you with the Bombshell Roulette Title, me with the Bombshell Internet Championship. No gold on the line this weekend, Harper… but make no mistake, this match still belongs to me."
[Her voice is level, almost disinterested — like stating a fact.]
"You can beat me, Harper. You’ve beaten me before — not once, but twice. I’m not going to stand here and pretend that didn’t happen. But those matches? They live two years in the past. If that’s what you’re holding onto now, it says more about where you’re stuck than where I am. If all you’re chasing is a feeling you already had years ago, the best you can do now is cling to it while I keep moving forward — champion, as always."
"Now, you probably think this is an opportunity. And maybe for you, it is. Maybe to you, this feels ‘fresh.’ New. An opening to make your mark. I can see how it might look that way. You’ve convinced yourself you’ve got an edge, that you’re walking into this with something I haven’t seen before. But newsflash?"
[Her tone subtly tightens — not loud, not brash, but cutting.]
"I’ve seen every version of you before. The fresh faces with the big talk. The ones who think a different paint job means a different car. Meanwhile, I’m the driver who’s been lapping the same track long enough to know every turn before it’s coming."
[She shifts her weight, one purposeful step toward the camera. Her shoulder angles slightly — an imposing stance, but smooth, never forced.]
"These cliffs behind me have been here long before any of us, shaped by every tide, unmoved by every storm. Out here, the waves don’t yield — and neither do I."
[She lets her hand smooth the title belt, positioning it better on her shoulder — not for show, but because it belongs there.]
"See, Harper… this isn’t about what moves you can pull off or how fast you can run the ropes. It’s about composure when the air gets thin. Strategy when the space closes in. And you won’t last if you can’t keep your head when the pace shifts — especially because I’m the one shifting it."
"You’ve got heart? Adorable. The thing about heart is, it’s a fantastic story until it breaks. And when the match hits that moment? When you realize that everything you came in thinking was going to work just… doesn’t? That’s when you’ll start asking yourself why you thought you could defeat me in the first place."
[The subtle venom in the “adorable” lingers as she takes another calculated step toward frame.]
"I don’t have to raise my voice, Harper, because facts don’t need volume. My facts are right here."
[She lifts the Bombshell Internet Championship into the frame, center plate catching the afternoon sun, held not high in a scream of triumph but casually, like a judge displaying evidence no one can refute.]
"You think this might be your moment? I’ve been everyone’s ‘moment’ at one point. The only difference is… when it’s over, it’s my hand the referee’s raising. That doesn’t happen because I’m lucky. It happens because I don’t hinge my chances on unpredictability — I make you predictable."
[She compresses the space between herself and the camera again, filling the frame more now — intensity climbing, but still delivered in that frosted-glass calm.]
"Do I hesitate sometimes? Sure. That’s the reality of competition. It’s weighing every angle before you commit. But when I walk into that ring and the lights hit, that moment’s gone. Hesitation doesn’t survive between bells. You either act with precision… or you fall into mine."
[Her gaze hardens — she’s not admitting weakness so much as translating it into power.]
"Harper Mason, you’ll walk into Mykonos thinking you’ve got options. That you can make me adjust to you. And maybe in those first few seconds, it might even look like you’re keeping up. That illusion will fade the second you realize you’ve been following my lead the whole time. That you’ve been dancing to my rhythm since the opening lock-up."
"You won’t see the end coming — you’ll just feel the mat hit your back and hear the count. And I won’t have to say, ‘I told you so.’ One glance at me with this championship still in my hands will be enough."
[Mercedes now lowers the belt, holding it at her side. No longer framed as a trophy — now it’s a weapon, a statement.]
"This weekend isn’t about hype. Hype fades the moment the noise dies down and the crowd clears. This is about control. It’s about who owns every step of the match. And that’s me. It always has been. The people who beat me? They don’t keep it. The people who stand across from me? They don’t forget it."
"You can test me, you can throw what you’ve got, but at the end of the night? I’m still here. Still champion. Still in control."
"Harper, when Climax Control 433 is over, you’ll go home knowing what so many before you have had to learn the hard way: When you step into my match — yes, my match — you’re walking into a design that was finished long before you got here. You’re just the latest variable. And I’ve already run every outcome. Spoiler — they all end the same way."
[She raises the title again, this time resting it against her midsection, hands firm on the main plate. Her stance is locked. The pace of her words slows, almost daring the camera to blink before she’s finished.]
"Long before you knew, and long after you'll remember."
[She lets one perfect beat of silence stretch. Then the faintest, knowing smirk touches her lips — not arrogance, but confirmation.]
"See you at Climax Control."
[***FADE***]
semana del 13 al 20 de agosto de 2025
There’s a quiet satisfaction that comes with knowing the work speaks for itself. I don’t need confetti, I don’t need hyperbole, and I certainly don’t need anyone telling me that I’ve “shocked the world.” That kind of energy is for people who aren’t used to winning. For people who rely on moments, because moments are all they have.
For me, winning isn’t a surprise. Es la expectativa. It’s the expectation.
Climax Control 431 was not an accident. It wasn't fortune smiling on me. It wasn’t “Lilith Locke slipping on a banana peel” or “Mercedes Vargas stealing one.” No. Fue inevitable.
Lilith stepped into that match believing she’d set the pace. She thought holding the Bombshell Internet Championship meant she could dictate how that match unfolded. Se equivocó. She miscalculated. Championship matches aren’t about the belt you hold in the beginning — they’re about the decisions you make under pressure. And when the moment came, the gap between us was clear.
It showed in my composure when she threw her best shots. It showed in her doubt after every kick-out, wondering why this wasn’t going according to her plan. And it showed when I closed that match exactamente when I intended — perfectly on my terms.
The Bombshell Internet Championship is back where it belongs. No necesito gritarlo. El título tiene otro peso conmigo. I don’t need to scream about it. I don’t need to campaign for recognition. I just know that there’s a different weight to the title when it’s in my possession. It carries an authority it didn’t have before, because I’ve proven what happens when someone with my composure and my consistency gets their hands on it.
Lilith — if you’re listening — I trust you’ve already started replaying every mistake in your head. It would be easy to blame it on conditioning, or on ring rust, or on the idea that you underestimated me. Pero el problema es tu enfoque. But see, that’s the problem. I don’t underestimate people. I study them. I take my time. I read every flourish in their offense, I notice every subtle pause in their footwork, I detect every flicker of hesitation behind their eyes. By the time I step into the ring, mis salidas, mis aperturas, y mi final. I already know my exits, my openings, and my finish.
That isn’t bravado — es la verdad. At Climax Control, that truth ended your reign, that truth made all the difference.
Now, that chapter’s closed. The next one begins at Climax Control 433. And that brings me to Harper Mason, your new Bombshell Roulette Champion.
Harper, you’ve been making the rounds lately, haven’t you? Your name’s been bubbling up on match cards more frequently, and you’ve been getting buzz from people who like to attach themselves to “potential.” I understand why. You’ve got the look. You’re athletic. You’ve had a few nice outings where people could point at you and say, “There’s something there.” It’s the kind of chatter that turns into opportunity in a place like SCW.
But here’s the part they usually leave out when they’re hyping someone up: “potential” is the most fragile currency in this business. It loses value every time you walk into a situation where you’re expected to win and you don’t. It erodes when the right lights shine on you and you flinch instead of step forward.
This weekend, Harper, you’re not getting a proving ground — you’re stepping into an exam you’re not prepared to pass. And I’m not saying that as a threat. I’m saying it like someone stating the weather. The outcome here doesn’t need prediction; it’s forecasted.
I’ve been watching you. I notice that when things are going your way, you find a rhythm. But when you get disrupted — when someone doesn’t respond to your pace, when they force you to adjust — that’s where it starts to come apart. You become reactive instead of proactive. Matches aren’t dictated by whoever gets the first offense in, Harper — they’re dictated by whoever controls the transitions. And right now, that’s not you.
When people look at you and see “promise,” I see unfinished edges.
You’ve had opponents who gave you space. I don’t give space. You’ve had opponents who tried to match your style. I don’t match styles — I dismantle them. You’ve been praised for your fire, and that’s fine. Fire’s impressive for about five minutes, until someone like me smothers it with precision and leaves you grasping for oxygen.
People like to believe that wrestling comes down to passion, or hunger, or desire. It looks better in headlines. The truth is, it comes down to how you handle inevitability. You can be as hungry as you want. Es saber qué hacer cuando tu mejor golpe no sirve. But what do you do when you find yourself in a position where your best shot didn’t work and you don’t have a second one? Ese es mi territorio. That’s where I live. That’s where I win.
I’m not dismissing you entirely, Harper. Everyone in this division is capable of a good night. On a good night, someone pulls off the upset. Someone exceeds expectations. You did that at Summer XXXTreme by defeating Victoria Lyons and ending the longest Bombshell Roulette Championship reign in history. It took you three tries to beat her, but credit where it's due.
You beat Victoria. That’s fine — but you’re not catching me on a night where my eyes are off the prize, mamita. You’re not walking into our match to find a distracted champion still basking in the glow of victory over Lilith Locke. No me quedo mirando atrás. I don’t bask. I move forward.
And right now, moving forward means you’re about to be the first statement of this new reign. See, reclaiming the Bombshell Internet Championship wasn’t about nostalgia for me. It wasn’t about “getting back” to something. It was about reaffirming that I can — and will — operate at the top of every division I set foot in. This reign is going to be defined by selective precision. Lo que significa que si estás en mi esquina opuesta… ya estás en terreno peligroso. Which means that if you’re standing across from me, you’re already in dangerous territory.
I know how the conversations go in the back. The polite compliments, the “good lucks,” the people telling you that this is “your moment.” They’ll pump you up before this weekend. They’ll tell you to go “shock the world.” But just remember something: nobody who’s telling you that has to actually stand in the ring against me.
I’ve seen wrestlers crumble because they spent too much time convincing themselves they were ready for something they weren’t. They confuse excitement with competence. You have to understand that when I look across the ring at you, I’m not hunting for inspiration. Estoy calculando. I’m measuring. I’m watching every small adjustment you make and deciding what it tells me about the next minute of this match.
Everyone has patterns, Harper. Yours? They’re glaring.
You push the pace early to see if you can get ahead before someone finds their bearings. You rely on momentum — not strategy — to carry you through. You thrive in exchanges, but you’re not built to break stalemates. And when your rhythm gets disrupted, you try to reset by creating distance. Which means? If I control the space, I control you.
That’s not bravado. That’s game theory.
By the time Climax Control 433 is over, people aren’t going to be talking about a “breakthrough” for Harper Mason. They’ll talk about a clean, decisive victory. How I was two steps ahead before you even tried to adjust. They’ll remember la claridad de saber exactamente dónde estás en esta división.
That’s the gift I give you — clarity. Not hype. Not bias. Reality.
And maybe that’s the best thing I can give you, Harper — clarity. The kind that comes from standing across from someone who isn’t there to give you space to breathe, who isn’t there to help you look good, and who isn’t there for your moment. I’m there to win. I’m there to make sure my name stays anchored to this championship in a way that isn’t up for debate.
You’ll walk away from Climax Control 433 knowing the difference between being good and being good enough.
Lilith learned it the hard way. You’re next.
Prepare for the worst. Hope for the best. And may the odds be ever in your favor.
~~~
EXT. SUBURBAN SIDEWALK – LATE AFTERNOON
A warm afternoon. Sunlight filters through leafy trees. The air hums faintly with cicadas. A sprinkler ticks in the distance. A small, colorful lemonade stand sits just off the curb in front of a tidy suburban house. The stand is manned by K, a sharp-eyed 11-year-old with a ball cap turned backwards. He leans on the table, one sneaker dragging patterns into the dust. A tip jar holds some coins and a couple of crumpled bills. He’s sucking on a red Freezie like it’s the most casual day in the world.
Down the cracked sidewalk, Malcolm and Carmen move with weary authority, uniforms crisp but faces telling of long days.
MALCOLM
Speaking of… remind me how your cousin here schooled Lilith Locke in Spain?
MERCEDES
(grinning)
Oh, you mean when I won back the Bombshell Internet Championship? In front of a sold‑out Ibiza crowd?
CARMEN
Here we go…
MALCOLM
What? Big win, high stakes, and your cousin actually brought it home.
CARMEN
She doesn’t bring it up much… except every day.
MERCEDES
(laughing)
What can I say? Some wins are worth the rerun.
All three hold paper cups of lemonade — unusually opaque, a bit too thick. As they close in on the stand, Mercedes eyes her drink with suspicion, swirling it slowly before taking a cautious sip.
MALCOLM
(takes a sip, grimaces)
Damn. Didn’t figure lemonade could double as molasses.
K smirks, leaning casually against the counter of the stand.
MERCEDES
Tastes like they melted a lemon and a grapefruit together. You sure this is lemonade?
K
That’s 'cause it’s premium. Less water, more lemon.
MALCOLM
More pulp too, apparently.
[Malcolm squints next door, where a worn-down two-story sits dark behind drawn curtains.]
MALCOLM
You know the family next door?
K
Sure. The dad’s a drug dealer.
[Malcolm freezes mid-sip, the words hitting harder than the lemonade’s texture. He tries to keep his reaction subtle but fails slightly.]
MALCOLM
Uh-huh…
K
My mom gets really, really weird when she’s around chardonnay.
[Malcolm raises an eyebrow at the unrelated comment but presses on.]
MALCOLM
Have you seen him around today?
K
No. He’s probably at the thing.
[Carmen, curious, steps closer to the stand.]
CARMEN
What thing?
K
Buy some more lemonade, and I’ll tell you.
[Carmen crosses her arms slowly, a mock dangerous smile creeping in.]
CARMEN
Are you trying to extort a law enforcement officer?
K
(shrugging)
No. It’s basic supply and demand. I have something you need. I can set the price.
[Malcolm chuckles to himself, amused.]
MALCOLM
Kid's getting a quality education.
MERCEDES
(smirking at Malcolm)
Better than most classes, I bet.
CARMEN
Too bad he won’t get the same one when he’s in juvenile detention.
[She leans on the table, scanning the operation like she’s doing a food inspection.]
CARMEN
You got a permit for this lemonade stand?
[K hesitates — eyes dropping like a permit might appear, then cutting to the tip jar, calculating if it’s enough for a bribe.]
K
Do you take lemonade as a bribe?
[Malcolm glances at Carmen like, “Is this conversation doing cartwheels?” Mercedes laughs quietly, shaking her head.]
MERCEDES
Depends. What’s the sugar to water ratio?
[CAMERA PULLS BACK — The four figures are locked in a silent standoff: the kid defensive but amused, the officers balanced between neighborhood goodwill and gentle authority. Mercedes tosses the rest of her lemonade into a nearby bush, still smirking.
The sound of a distant lawn mower drones in the background. A neighbor walks past with a dog, eyeing the stand suspiciously. K nudges the tip jar an inch closer to the edge — just in case.]
[END]
~~~
Present Day ♦ M Y K O N O S, G R E E C E
[REC•]
[The Cycladic sun blazes above, wind stirring the wild grasses of Fokos Beach. Mercedes stands alone on the sand, a sweep of turquoise water and unspoiled cliffs behind her. There is no noise, no crowd — just the serene power of nature, and her.]
"This is Fokos. Not the scene, not the hype. Just the truth. Mykonos isn’t only parties, bars, and noise. It’s places like this — raw, untouched, the kind of beauty that doesn’t need approval or attention. It stands the test of time, quietly owning every inch."
[Mercedes stands poised, Bombshell Internet Championship slung over her shoulder, its shine muted against the wild backdrop.]
"People talk about glamour, about what glitters. They chase what’s loud. But out here? You learn fast that noise fades — substance doesn’t. That’s been my story since day one."
[Mercedes’ lips curve slightly, with the kind of smile that says she’s already seen the ending of this story.]
"So here we are. Mykonos. Climax Control 433. Champion versus champion — you with the Bombshell Roulette Title, me with the Bombshell Internet Championship. No gold on the line this weekend, Harper… but make no mistake, this match still belongs to me."
[Her voice is level, almost disinterested — like stating a fact.]
"You can beat me, Harper. You’ve beaten me before — not once, but twice. I’m not going to stand here and pretend that didn’t happen. But those matches? They live two years in the past. If that’s what you’re holding onto now, it says more about where you’re stuck than where I am. If all you’re chasing is a feeling you already had years ago, the best you can do now is cling to it while I keep moving forward — champion, as always."
"Now, you probably think this is an opportunity. And maybe for you, it is. Maybe to you, this feels ‘fresh.’ New. An opening to make your mark. I can see how it might look that way. You’ve convinced yourself you’ve got an edge, that you’re walking into this with something I haven’t seen before. But newsflash?"
[Her tone subtly tightens — not loud, not brash, but cutting.]
"I’ve seen every version of you before. The fresh faces with the big talk. The ones who think a different paint job means a different car. Meanwhile, I’m the driver who’s been lapping the same track long enough to know every turn before it’s coming."
[She shifts her weight, one purposeful step toward the camera. Her shoulder angles slightly — an imposing stance, but smooth, never forced.]
"These cliffs behind me have been here long before any of us, shaped by every tide, unmoved by every storm. Out here, the waves don’t yield — and neither do I."
[She lets her hand smooth the title belt, positioning it better on her shoulder — not for show, but because it belongs there.]
"See, Harper… this isn’t about what moves you can pull off or how fast you can run the ropes. It’s about composure when the air gets thin. Strategy when the space closes in. And you won’t last if you can’t keep your head when the pace shifts — especially because I’m the one shifting it."
"You’ve got heart? Adorable. The thing about heart is, it’s a fantastic story until it breaks. And when the match hits that moment? When you realize that everything you came in thinking was going to work just… doesn’t? That’s when you’ll start asking yourself why you thought you could defeat me in the first place."
[The subtle venom in the “adorable” lingers as she takes another calculated step toward frame.]
"I don’t have to raise my voice, Harper, because facts don’t need volume. My facts are right here."
[She lifts the Bombshell Internet Championship into the frame, center plate catching the afternoon sun, held not high in a scream of triumph but casually, like a judge displaying evidence no one can refute.]
"You think this might be your moment? I’ve been everyone’s ‘moment’ at one point. The only difference is… when it’s over, it’s my hand the referee’s raising. That doesn’t happen because I’m lucky. It happens because I don’t hinge my chances on unpredictability — I make you predictable."
[She compresses the space between herself and the camera again, filling the frame more now — intensity climbing, but still delivered in that frosted-glass calm.]
"Do I hesitate sometimes? Sure. That’s the reality of competition. It’s weighing every angle before you commit. But when I walk into that ring and the lights hit, that moment’s gone. Hesitation doesn’t survive between bells. You either act with precision… or you fall into mine."
[Her gaze hardens — she’s not admitting weakness so much as translating it into power.]
"Harper Mason, you’ll walk into Mykonos thinking you’ve got options. That you can make me adjust to you. And maybe in those first few seconds, it might even look like you’re keeping up. That illusion will fade the second you realize you’ve been following my lead the whole time. That you’ve been dancing to my rhythm since the opening lock-up."
"You won’t see the end coming — you’ll just feel the mat hit your back and hear the count. And I won’t have to say, ‘I told you so.’ One glance at me with this championship still in my hands will be enough."
[Mercedes now lowers the belt, holding it at her side. No longer framed as a trophy — now it’s a weapon, a statement.]
"This weekend isn’t about hype. Hype fades the moment the noise dies down and the crowd clears. This is about control. It’s about who owns every step of the match. And that’s me. It always has been. The people who beat me? They don’t keep it. The people who stand across from me? They don’t forget it."
"You can test me, you can throw what you’ve got, but at the end of the night? I’m still here. Still champion. Still in control."
"Harper, when Climax Control 433 is over, you’ll go home knowing what so many before you have had to learn the hard way: When you step into my match — yes, my match — you’re walking into a design that was finished long before you got here. You’re just the latest variable. And I’ve already run every outcome. Spoiler — they all end the same way."
[She raises the title again, this time resting it against her midsection, hands firm on the main plate. Her stance is locked. The pace of her words slows, almost daring the camera to blink before she’s finished.]
"Long before you knew, and long after you'll remember."
[She lets one perfect beat of silence stretch. Then the faintest, knowing smirk touches her lips — not arrogance, but confirmation.]
"See you at Climax Control."
[***FADE***]